I’d briefly mentioned the importance of offering a diverse cast of women in the post about “agency,” and now, we are going to explore that thought in depth. Diversity is an important component to include in any story — and not just with female characters, of course — because it is good for the readerContinue reading “Reflecting A Real World”
I’m a huge fan of Parks and Recreation, and while it is March and not Feb. 13, I felt Leslie Knope’s Galentine’s Day would make a great foundation for “Women in Fiction” Week’s writing prompt. The Prompt You will be gathering your fictional women (from one book/story or across a collection of your works) forContinue reading “Women’s History Month Writing Prompt: Galentine’s Day”
A lot has been made of strong women lately in literature. It’s a trend I like, but sometimes, I think it pigeonholes female characters into one mold — we will get into that during a future post this week where we dive into diverse fictional women. Rather than using the term strong women in my wish list, all I really want are women who have agency.
This rant is a long time in coming. You’ve probably seen the trope yourself: Two women — sometimes the only two in the entire book — one is our heroine, the other, well, she’s mostly a four- or five-letter word . . . you know the words I’m talking about. The latter usually earns this title for flimsy reasons and because of her proximity to the female lead’s love interest. The narrative itself often offers very little reason for why readers should hate this other female character.